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QUAD
- The ESL
Only a handful of manufacturers have ever managed to build a production
electrostatic loudspeaker. Furthermore, QUAD are unique in producing a point-source,
full-range Electrostatic Loudspeaker.
The ESLs are widely regarded as the most neutral, best imaging, most transparent
and accurate loudspeakers in the world.
They produce a window on music without adding any character of their own
- and can be listened to for hours on end, without ever becoming tiring
on the ears.
Quite simply, they are totally addictive and unlike anything you've ever
heard before. They remain in a league of their own when it comes to real
music and the latest models of ESL 988 & 989 have won a stream of international
awards for sound quality, including the prestigious Diapason D'Or and two
'Golden Ears'. |

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ESL
988
The
ESL- 988 replaces the much loved ESL- 63 model. Although of
similar size and proportions, the resemblance is only skin
deep - for more than 90% of the internal components have been
re-designed, upgraded, or modified.
The new model has better audio transformers, a new power supply,
improved diaphragms, a strong heavyweight molded base and
new grille assemblies. Particular attention has been given
to the structural integrity of the loudspeakers, which has
been improved beyond all recognition.
The end result of these changes is an electrostatic loudspeaker
that is as relevant today as its predecessor was 18 years
ago. The Quad electrostatic loudspeakers continue to be in
a class of their own.
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ESL 989
The
ESL-989 shares much of its technology with the ESL-988, but
it is a larger model with two extra bass panels and a higher
rated power supply. The extra panels increase the bass output,
but also contribute to an enhanced performance in the mid-band.
The ESL-989 is Quad's finest loudspeaker. It is a true full
range loudspeaker reproducing music with an ease and naturalness
which is best described as uncanny. It has a virtual absence
of the familiar loudspeaker problems of coloration, distortion,
phase and frequency response errors.
All that remains is the music and the original ambience. To
the listener these are the very ingredients needed to create
a real sensation of 'being there'.
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The
ESL Inside
The ESLs work in a very different way to conventional loudspeakers.
For those who don't know, here's a brief explanation of the principle.
Whilst most speakers work with a cone type drive unit, the ESLs use
a very thin membrane, one-tenth the thickness of a human hair. This
MYLAR diaphragm has a special conductive coating and is stretched
between two electrode plates. Relative to earth, both electrode plates
have a high positive charge (+5000v), but there is a slight difference
between the charge on each electrode. It is this difference that causes
the negatively charged membrane to be more attracted to one than another,
thus causing the movement of the diaphragm. |
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The
diaphragm is mounted on an open frame and is thus free of any coloration
from a cabinet. Because the diaphragm acts as a full range driver, there
is no need for a crossover. There are no discontinuities in the frequency
response curve, so you get the full music spectrum, as it was recorded.
The ESLs do much more than reproduce the full range - and this is where
all other electrostatic speakers stop. Acousticians have recognised for
a long time that an ideal loudspeaker should be a point source from which
sounds waves ripple like a pebble in a lake. Ordinarily, an electrostatic
would fall at this hurdle, but not the QUAD ESLs.
By using a series of concentric anodes, rather than just two plates, the
Quads are able to produce a spherical sound pressure pattern. A series
of electrode rings are fed with delay lines, so each ring responds to
the change in current a split second after the previous ring, creating
movement in the diaphragm identical to the 'ripple in the pond'. The 988s
and 989s both use this principle, with the 989s having additional panels
to give a robust bass performance.
The Quad ESL is the only speaker to use this method so if you want the
finest, most accurate sound sound in existence - better choose QUAD.
How
the ESLs Work:
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1.
A perfect point source produces a spherical wave pattern. |
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2.
The air particle movement at a plane some distance from the source. |
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3.
An identical movement in the ESL membrane produces and identical wave
front. |
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4.
The membrane carries a constant charge. The charge on the electrodes
fluctuates according to the music signal. |
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5.
The music signal is fed first to the center section, then to each
ring in turn. |
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Specifications:
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ESL
988 |
ESL
989 |
| Max
Power Output |
2N/m2
at 2m on axis |
2N/m2
at 2m on axis |
| Sensitivity |
1.5u
bar per volt referred to 1m (86dB/2.83V RMS) |
1.5u
bar per volt referred to 1m (86dB/2.83V RMS) |
| Impedance |
8
ohm nominal |
8
ohm nominal |
| Maximum
continuous input voltage (RMS) |
10V |
10V |
| (20Hz
to 20 kHz) |
Programme
peak for undistorted output : 40V
Permitted peak input : 55V
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Programme
peak for undistorted output : 40V
Permitted peak input : 55V |
| Directivity
index |
125Hz
- 5.0dB
500Hz - 6.4dB
1kHz - 7.2dB
8kHz - 10.6dB |
125Hz
- 5.0dB
500Hz - 6.4dB
1kHz - 7.2dB
8kHz - 10.6dB |
| Axis
band limits |
-6dB
at 35Hz 3rd order |
-6dB
at 30Hz 3rd order |
| (low
level) |
-6dB
>20kHz |
-6dB
>20kHz |
AC
Input
(double insulated) |
220-240V
or 110-120V
See rating details on base of unit |
220-240V
or 110-120V
See
rating details on base of unit |
| Dimensions
(HxWxD) mm |
940
x 670 x 315
(including 185mm base) |
1335
x 670 x 315
(including 185mm base) |
| Weight |
20.5kg
net |
25.3kg
net |
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